Bitter friend, pour me the sound of mountains
climbing under the waves like spreading gills.
These fingers lift
To the ones left behind
To the ones silent
To the ones hunted and cradled
up and out of the grass green waters
in gentle nets: I say, you do not surprise me
knocking the waves and wood with sullen flank.
You are not unfamiliar, in your blue slip,
in this dust of droplets, salting
first the dry dock, then the ice.
When the kettle explodes into shrill white steam, I will not be there.
When you look up,
the cup will not
be in my hand, the swirling teaspoon
not in my other.
The world will shatter, without me,
on the edge of a machine recording.
I will be your dial tone.
Crit Ticks for the Critics by nycterent, literature
Literature
Crit Ticks for the Critics
"He has the right to criticize who has the heart to help." - Abraham Lincoln
Introduction:
You've read guides, you've heard the propaganda, and now there's no going back. You've decided: "I want to write critiques too!"
Looking out over the gray expanse of dA, you spot a poem. Or a photograph. Or a juicy piece of digital art, and you know exactly what you want to say. Or maybe you don't, but you slog through, making the effort. And voila! A click and you navigate away, grinning, imagining the artist's delight when the deviant opens his or her message center upon the next log-in.
You left a critique, whether as a "critique" or in a comment
It’s just after midnight January 1, 2010. And I write:
I literally think I spend my whole life making excuses.
I make excuses. I say, ‘tomorrow’ as though they will never run out, like there never actually will be a today.
I don’t know what I want to be, but it certainly isn’t this, this person who smiles and thinks that things will just see themselves through without any real work.
But that has never happened. Nothing will ever happen without action, without willpower, without determination, and most importantly, without self-reliability and taking responsibility for every thing you do.
So give yoursel
I've shrunk fear into just a word
I've picked through the dirt.
I've smiled at these god damn
earthworms far too long.
With
courage
destroyed.
Oh, I must learn
to piece together fragments of
glass which reflects who I am.
Who you've made me. And I'll
tell you to smile, so I can feast.
I've already consumed you.
I've already died this way;
already felt my corpse go cold.
Already tasted black flowers
push through such soiled lungs.
I'm
not
afraid.
anymore. So I'll turn the lights
off, leave me nude, grow warm,
fend off your words and just...
remember. How sticky they were,
and how I'd be the first to crawl
into them.
The Pizza, The Prophet, and Me by cunningcoyote, literature
Literature
The Pizza, The Prophet, and Me
So. It all began when the prophet Mohammad, peace and blessings be upon him, came for a visit to my house for some pizza and video games.
Id had the cheese and garlic pizza, with the pan-style crust with mozzarella crammed inside, and he had the regular old original crust topped with lots of vegetables, a lot of them olives, onions, mushrooms, and green peppers.
He really likes those peppers a lot, so I always make sure I have some in the house in case he decides to come over.
So anyway, there we were: me, lounging on the couch with my feet propped up on the little wooden folding table and he, sitting in his green robe thingy, cross
"You'll never be beautiful, Leralia. There's too much of your blood-mother in you." It was Kasea, her father's first-wife who'd said that, when Leralia was still young and untrained enough to indulge in occasional fits of vanity.
Faced, for the first time, with man who was to be her husband, Leralia thought again of those words. Too much of her blood-mother to ever be beautiful: hair too curly, face too square, breasts too small. But there was value to blood beyond beauty, value enough that she now sat in a room with a wealthy man who would take her as his first-wife. As her mother had been, until her death had given that position to Kasea.
I said I preferred peaches,
but you wanted a nectarine.
So we brought it back
and you portioned it out
and I found it wasn't better
only different. You went back
to your city, and I held the taste
in my mouth for days.
Curl the knife around the pit;
gently twist the halves apart.
Admire the honey-golden forms
and the rich-veined flesh.
So what did I buy at the grocer's
on St. Benedict's Street? Not
peaches, but smooth nectarines.
It is different in this country,
where pleasures have become
necessities.
These days I cannot taste
except in memory.
The ducks hang around like we own the place;
Campfire proprietors.
They busy themselves with menial duck-tasks,
Searching with their bills for work-permits.
We toss them white bread application-forms
And they descend on them eagerly.
Then theyre on their way,
Grumbling about Work. Work.
I watch them mooching about,
Scuffing their orange heels,
And I sympathise
There cant be many jobs for ducks around here.*
We would be
dark.
Matter of fact.
I'd turn into Penelope.
Pen-e-lope, like cantelope;
she was ripe, over ripe perhaps,
withered with the waiting years,
Penny parched from rolling tears-
enough to swim him home.
If he was water you are stone.
Sandstone. Solid. Something -
young boys need to cling to, something -
a bow to fit the string to, something.
That's not me but it's something.
You would be
warm,
weighted and one.
Entirely a second son,
a second son and quite undone,
Stay. Smile upon my
wasted weaving fingertips,
shun your father's treasure ship
and hold me close, alone.
i.
in a dim and exhausted new york subway train - i
surrender my fingerprints over to dirty railings and
start over.
ii.
my body stretches like a mayan temple over his landscape.
my sun drags itself across his skies to his brutal moon
prowling the outskirts of our madness. he says
bend yourself to these sights, love.
recognize, but never accept.
i want your filthy and bruised hope
on my table. he was
saturating space, says - how much
do you love your world. eyes screaming
alive over and over again. you can do better
he says, but you want to do worse.
iii.
a giraffe crawls out of my dead skin and is silent,
but stares with fa
Lay here with me on my bed of customary blue:
It's here I trace with tongues and dainty rubbings
the union of shapes - watch as the circles triumph
and taj-mahal our hearts. They, the heartless bastards
with mirrors and forky spoons. You,
such a leader,
I lack. Such a follower I dismiss. I am cold and I am wet
with your fever. I am gnashing my gums and half-crying
half-roaring against steel for the attention of a desert,
for the attention.
I went to the ocean, dared him to swallow my ankles. I
dared him. Told him I lost my irises to seaweed and it tastes
like honey without the sweetness, just the sting to be wrapped
-
in somethi
The Trouble with a Love Poem by Robsonnet, literature
Literature
The Trouble with a Love Poem
Ever since that first cave man told the woman of his fancy, "Looking at you makes me want to say something where all the words end with the same sound," and then clubbed her and dragged her off to his cave to show her his etchings, most people's first poetic efforts have been expressions of fondness and desire.
And no matter how bad the poem is, when the feeling is mutual, the response is going to be very reinforcing. "You wrote me a POEM?! Oh, it's BEAUTIFUL! That's so SWEET!" Et cetera, et cetera, with kisses.
At this point, the love poem is perfect. It communicated the desired message, and it had the desired effect. But then, with the be
***Tips For the Novice (and otherwise) - Editing***
The blanket statement, "Editing/revision harms poetry," is simply wrong. It's akin to a photographer claiming that focusing the lens ruins the emotion of the photograph. It is the details, and the appropriate attention paid to them, that separate a photograph from a snapshot. Imagine a film maker slapping every frame he shot up on the screen without editing for continuity, for pacing, for effect. What a disaster. That is not to say that editing can't be destructive - there is such a thing as poor editing, just as there is poor writing. But done correctly, done well, it is one of the m
Earlier this week, I realized it's been over a decade that I've been a member of deviantART. Wow. Ten years this may, from poetry to photography to prose to more photography to digital art. It's pretty intense, but the biggest thing that hit me when I logged into this account after this long hiatus was the reminder of all the wonderful people I've met along the way.
If you'd like to keep in touch, and I hope you do, you should watch me over at ninebark (https://www.deviantart.com/ninebark). We will chat and note and comment and have an amazing time. And if that's not enough, let me bribe you with some pretty pictures:
Come say hello and tell me what you've been up to,
:thumb270725044:
This is kinda how I'm feeling now, but beats me if I know why.
Life is good. Cat is healthy (finally). Work is only kinda nibbling at my soul. Research is meandering. Writing is happening. Food is delicious.
Spring is coming.
Naiya approves.